| Story | Movie (Year) | Connection |
| The Tale of Satampra Zeiros (Clark Ashton Smith) | The Blob (1958) | Amorphous, creeping horror and monstrous, unknowable force; surreal and alien terror. |
The Shadow Kingdom (Robert E. Howard) Sorry Audio got lost, first lost episode of the season. | Duel (1971) | Hidden, stalking threats; paranoia and mysterious pursuers in a hostile environment. |
| The Black Stone (Lovecraft) | The Night Stalker (1972 TV movie) | Occult investigations and dark ancient relics triggering supernatural events. |
| The Frost-Giant’s Daughter (Robert E. Howard) | Westworld (1972) | Mythic beings and blurring of human/inhuman boundaries in a constructed world. |
| The Charnel God (Clark Ashton Smith) | Picnic at Hanging Rock (1975) | Mysterious disappearances amid an eerie, alien atmosphere suggest cosmic and otherworldly dread. |
| The Door to Saturn (Clark Ashton Smith) | The Last Wave (1977) | Cosmic horror and apocalyptic alien portents disrupting reality and sanity. |
| The Rats in the Walls (Lovecraft) | House (1981)The Secret of NIMH (1982) | Experimentation, hidden knowledge, and evolution of strange societies with a dark, alien past. |
| The Vaults of Yoh-Vombis (Clark Ashton Smith) | House (1981) | Ancestral home concealing madness, hidden horrors, and subterranean secrets. |
| The Seven Geases (Clark Ashton Smith) | Akira (1988) | Curses, mutation, and supernatural chaos echoing catastrophic transformation and power. |
| The Shadow Out of Time (Lovecraft) | Who Framed Roger Rabbit (1988) | Fractured identity, memory manipulation, and hidden realities behind appearances. |
| The Festival (Lovecraft) | Jennifer’s Body (2009) | Secret cults and ritualistic violence beneath suburban normalcy. |
| The Dunwich Horror (Lovecraft) | The Final Girls (2015) | Family curses, monstrous legacies, and the blending of horror and dark folklore. |
| The Haunter of the Dark (Lovecraft) | The Lighthouse (2019) | Obsessive curiosity, madness, and the haunting power of forbidden knowledge in isolated settings. |
| The Whisperer in Darkness (Lovecraft) | Titane (2021) | Body horror, alien influence, and loss of identity through external forces. |
| The Whisperer in Darkness (Lovecraft) | Fire in the Sky (1993) | Alien abduction and cosmic horror beyond human comprehension. |
| The Outsider (Lovecraft) | The Others (2001) | Isolation, haunted environments, and revelation of disturbing truths about identity and existence. |
| The Call of Cthulhu (Lovecraft) | Cabin in the Woods (2011) | Hidden cults and the awakening of ancient cosmic horrors in remote places. |
| The Case of Charles Dexter Ward (Lovecraft) | Possessor (2020) | Mind control, possession, and the battle for the self through technology and sorcery. |
| The Shadow Kingdom (Robert E. Howard) | Tucker and Dale vs Evil (2010) | Rural horror with misunderstood monstrous outsiders; paranoia and mistaken identity. |
| The Colour Out of Space (Lovecraft) | Pearl (2022) | Alien contamination causing physical and psychological transformations in an isolated setting. |
| The Haunter of the Dark (Lovecraft) | The Love Witch (2016) | Occult obsession, doom, and seductive yet deadly supernatural forces. |
| The Black Abbot (Clark Ashton Smith) | Strange Days (1995) | Dark sorcery, forbidden knowledge, and the collapse of reality through technology and memory. |
| The Iron Shadow (Clark Ashton Smith) | Monster House (2006) | Living architecture imbued with dark, malevolent force tied to ancient curses and vengeance. |
People's Guide to the Cthulhu Mythos: 
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