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Season 22 bonus episodes 65-88
|
# |
Name |
Author |
Description |
|
65 |
The Fall of the House of Usher |
Edgar Allan Poe |
A gothic tale of a decaying family, a decaying mansion, illness, obsession, and a terrible burial mistake. |
|
66 |
What Was It? |
Fitz-James O’Brien |
A strange invisible creature is discovered in a boarding house, turning supernatural terror into a problem of observation, capture, and proof. |
|
67 |
The Upper Berth |
Francis Marion Crawford |
A passenger aboard a ship investigates a cursed cabin where something horrifying appears from the sea. |
|
68 |
The Death of Halpin Frayser |
Ambrose Bierce |
A nightmarish tale of murder, memory, and supernatural revenge, centered on a man lost between dream, guilt, and death. |
|
69 |
The Mark of the Beast |
Rudyard Kipling |
A colonial horror story in which a drunken insult to a sacred image brings a hideous curse. |
|
70 |
The Captain of the ‘Pole-Star’ |
Sir Arthur Conan Doyle |
An Arctic ghost story about a doomed captain, an obsessed expedition, and something haunting the frozen wastes. |
|
71 |
The Yellow Sign |
Robert W. Chambers |
An artist and his model become drawn into a decadent supernatural mystery involving a sinister symbol and the King in Yellow. |
|
72 |
Xelucha |
M. P. Shiel |
A lush, strange, morbid tale of obsession, death, and uncanny beauty, written in Shiel’s dense decadent style. |
|
73 |
The Red Room |
H. G. Wells |
A skeptical man spends the night in a supposedly haunted room and discovers terror without needing a visible ghost. |
|
74 |
The Shadows on the Wall |
Mary E. Wilkins Freeman |
A domestic ghost story where grief, suspicion, and a strange shadow reveal something dreadful within a family home. |
|
75 |
The Harbor-Master |
Robert W. Chambers |
A weird tale of coastal mystery, pursuit, and monstrous transformation, mixing adventure with uncanny horror. |
|
76 |
The White People, Pt 1 |
Arthur Machen |
The opening of Machen’s occult horror story, framing forbidden knowledge, childhood innocence, and hidden pagan mysteries. |
|
77 |
The White People, Pt 2 |
Arthur Machen |
The central portion of the story, presenting a young girl’s secret diary of strange rites, hidden places, and uncanny encounters. |
|
78 |
The White People, Pt 3 |
Arthur Machen |
The conclusion of the tale, where the innocent-seeming account becomes something much darker and more spiritually dangerous. |
|
79 |
Lost Hearts |
M. R. James |
A young orphan comes to live with an elderly relative and uncovers a cold, scholarly evil involving missing children. |
|
80 |
The Willows, Pt 1 |
Algernon Blackwood |
The beginning of a cosmic nature-horror story about two travelers canoeing down the Danube into a remote and hostile landscape. |
|
81 |
The Willows, Pt 2 |
Algernon Blackwood |
The travelers become increasingly aware that the landscape around them may be alive, watching, and spiritually alien. |
|
82 |
The Willows, Pt 3 |
Algernon Blackwood |
The pressure of the place grows unbearable as natural details become signs of a vast, inhuman presence. |
|
83 |
The Willows, Pt 4 |
Algernon Blackwood |
The conclusion reveals the full terror of the willows: not a simple haunting, but contact with forces beyond human scale. |
|
84 |
The Hashish Man/The Unhappy Body |
Lord Dunsany |
Two short Dunsany pieces: one dreamlike and visionary, the other a strange fable about the body, identity, and dissatisfaction. |
|
85 |
Fishhead |
Irvin S. Cobb |
A grotesque backwoods horror story about an outcast man with fishlike features and a reputation for uncanny violence. |
|
86 |
The Hashish-Eater, or the Apocalypse of Evil |
Clark Ashton Smith |
A visionary prose-poem of cosmic horror, decadent imagery, and apocalyptic evil unfolding through drug-induced revelation. |
|
87 |
Seaton’s Aunt, Pt 1 |
Walter de la Mare |
The first half of a quiet psychological ghost story about a boy’s unsettling visit to his friend’s house and his terrifying aunt. |
|
88 |
Seaton’s Aunt, Pt 2 |
Walter de la Mare |
The second half deepens the dread around Seaton’s aunt, leaving the horror ambiguous, oppressive, and emotionally cruel. |

