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Upcoming Episodes
Grimdark Grandparents: Warhammer 40,000 and Its Pulp DNA
0. What’s a W.H.40.K? — An introduction to Warhammer 40,000’s immense science-fantasy horror setting, where a corpse-worshipping human empire fights aliens, daemons, ancient machines, and its own terrible history.
1. The Imperium of Man — From Dune, Foundation, Roman decline, and medieval Christendom comes a galactic empire where the future is not progress but a dead civilization kept moving through faith, fear, and paperwork.
2. Space Marines — The Imperium’s iconic super-soldiers combine power armor and military science fiction with crusading knights, Spartan myth, warrior monks, kidnapped children, and the seductive imagery of authoritarian heroism.
3. Astra Militarum / Imperial Guard — Drawing from trench literature, British war comics, Kipling, and future-war fiction, the Guard are ordinary people sent into cosmic horror with little more than courage and a lasgun.
4. Adeptus Mechanicus — Frankenstein, Metropolis, invention pulp, and lost-technology stories meet in a machine cult where science survives, understanding does not, and repairs are performed like religious rites.
5. Adepta Sororitas / Ecclesiarchy — Gothic convents, martyr legends, Joan of Arc, witchfinders, and Hammer horror become armored saints who turn faith, suffering, and flamethrowers into instruments of Imperial power.
6. The Inquisition — The occult detective and witch-hunter become one terrifying Imperial investigator who may uncover the truth only to burn every witness, building, and planet touched by it.
7. Rogue Traders — Planetary romance, colonial adventure fiction, space opera, pirates, and merchant princes combine in explorers licensed to discover strange worlds, trade with them, rob them, or claim them for the Imperium.
8. Adeptus Custodes — Ancient palace guards, sacred kingship, Achilles, and Gilgamesh stand behind the Emperor’s golden companions: philosopher-warriors created to protect a god who is already dead.
9. Adeptus Titanicus / Titan Legions — Giant robots descend from Martian tripods, dreadnoughts, siege engines, golems, and war gods to become walking cathedrals capable of teaching entire cities to kneel.
10. The Horus Heresy — Warhammer’s great betrayal myth draws from Lucifer, Cain and Abel, Arthur and Mordred, Roman civil wars, and fallen-hero stories to explain how the Emperor’s favored son broke the human future from within.
11. Chaos Space Marines — Fallen angels, Byronic rebels, cursed champions, and Milton’s Satan become immortal super-soldiers whose genuine grievances have curdled into rebellion, bitterness, and damnation.
12. Chaos Daemons — Medieval demonology, grimoires, occult pulp, weird fiction, and nightmare cinema become psychic entities made from mortal rage, despair, ambition, obsession, and desire.
13. World Eaters / Khorne — Sword-and-sorcery pulp, berserker sagas, gladiator spectacle, and revenge tragedy create warriors who reduce every political, emotional, and moral problem to an axe blow.
14. Death Guard / Nurgle — Plague literature, danse macabre, zombie films, body horror, and graveyard humor meet in rotting soldiers who have surrendered to decay and discovered that the joke is that they are happy.
15. Thousand Sons / Tzeentch — Lovecraft, Clark Ashton Smith, mummy fiction, occult scholarship, and forbidden-book stories become sorcerers who sought perfect knowledge only to discover that the book was reading them back.
16. Emperor’s Children / Slaanesh — Decadent literature, Gothic aristocrats, glam horror, cursed art, and The Picture of Dorian Gray shape warriors who pursued perfection until beauty became an endlessly hungry mouth.
17. Chaos / Imperial Knights — Haunted castles, ancestral armor, chivalric romance, feudal bloodlines, and giant-robot fiction become seventy-foot war machines carrying generations of family pride, duty, resentment, and curses.
18. Orks — Fantasy orcs, Mad Max, British hooligan comedy, fungus horror, and invasive-species stories combine in a joyful alien ecosystem where killing the enemy may only plant the next war.
19. Tyranids — Alien, The Thing, bug-war fiction, parasite horror, and cosmic naturalism become an extragalactic appetite that does not hate humanity because hatred would interfere with digestion.
20. Genestealer Cults — Body-snatcher films, changeling folklore, secret-cult pulp, family curses, and invasion paranoia create an alien uprising that begins not in the sky but at the dinner table.
21. Necrons — Killer robots and artificial-labor nightmares combine with mummy curses, tomb kings, and cursed archaeology to produce immortal metal dynasties waking from the grave with better weapons than the living.
22. Aeldari / Drukhari — Elves, cruel fairy courts, dying-earth fiction, lost civilizations, decadent aristocrats, and vampire cities become two responses to apocalypse: mourning the fall or continuing the party forever.
23. Night Lords — Batman, slashers, serial killers, Gothic villains, Grand Guignol, and public-execution culture become terror troops who transform punishment into theatre and fear into government.
24. T’au Empire and Leagues of Votann — The T’au combine utopian science fiction, anime mecha, and benevolent imperialism, while the Votann draw from mining frontiers, company towns, clone labor, ancestor cults, and corporate survivalism.
25. [REDACTED] — ▀▀▀ thrillers, ▀▀▀▀▀▀ societies, ▀▀▀▀▀▀▀ ▀▀▀▀▀▀, invasion ▀▀▀▀▀▀▀▀, Dr. ▀▀▀▀▀▀, and ▀▀▀▀▀ mythology become a Space Marine legion so committed to ▀▀▀▀▀▀▀▀ that truth itself is rendered operationally ▀▀▀▀▀▀.
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Introduction. The Fascination of the Ghost Story, by Arthur B. Reeve |
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PGttCM Season 23 Order(all episodes will be recorded
1. Sinners (2025) August week 4
Story: “The Music of Erich Zann,” H. P. Lovecraft
Music becomes a weapon, a barrier, and an opening into something beyond the human world.
Complete YouTube reading
2. Bride of Frankenstein (1935) September week 1
Story: “Rappaccini’s Daughter,” Nathaniel Hawthorne
A scientist transforms his daughter into something beautiful, deadly, and isolated from ordinary human intimacy. The created woman is treated simultaneously as experiment, daughter, monster, and possible lover.
3. Ready or Not (2019) September week 2
Story: “The Most Dangerous Game,” Richard Connell
Wealthy predators turn the hunting of a human being into sport and tradition.
4. Blade II (2002) September week 3
Story: “The Room in the Tower,” E. F. Benson
A recurring nightmare leads to a room occupied by a ravenous female vampire.
Complete YouTube reading
5. Obsession (2026) September week 4
Story: “The Birth-Mark,” Nathaniel Hawthorne
Love curdles into the conviction that another person must be altered and perfected.
Complete YouTube reading
6. RoboCop (1987) October week 1
Story: “The Man That Was Used Up,” Edgar Allan Poe
A celebrated military hero is gradually revealed to be an assemblage of manufactured replacement parts. Prosthetic reconstruction, militarism, masculine propaganda, and brutal satire.
7. Johnny Mnemonic (1995) October week 2
Story: “A Logic Named Joe,” Murray Leinster
Information technology becomes dangerously helpful, invasive, and impossible to contain.
Complete YouTube audiobook
8. Strange Days (1995) October week 3
Story: “The Crystal Egg,” H. G. Wells
A mysterious device allows its owner to watch another world—and may allow that world to watch him. The voyeurism, addictive looking, and technologically mediated experience.
9. Brainstorm (1983) October week 4
Story: “The Story of the Late Mr. Elvesham,” H. G. Wells
A wealthy old scientist finds a way to transfer his consciousness into a young man’s body. It turns recorded experience and technological immortality into an intimate identity nightmare.
10. Burst City (1982) November week 1
Story: “The Machine Stops,” E. M. Forster
A society has surrendered its bodies, relationships, and environment to an enormous technological system.
Complete YouTube reading
11. Neo Tokyo (1987) November week 2
Story: “The City of the Singing Flame,” Clark Ashton Smith
A traveller discovers a magnificent alternate city whose alien music and architecture exert an increasingly irresistible pull.
Complete YouTube reading
12. Total Recall (1990) November week 3
Story: “The Defenders,” Philip K. Dick
Humanity’s understanding of its war and surrounding reality has been deliberately manufactured.
13. Sorry to Bother You (2018) November week 4
Story: “The Business Man,” Edgar Allan Poe
A self-satisfied entrepreneur explains his increasingly violent career as though criminal ingenuity were merely sound business practice.
14. Little Shop of Horrors (1986) December week 1
Story: “The Flowering of the Strange Orchid,” H. G. Wells
A mild collector brings home an exotic plant that proves predatory. Carnivorous botany, human loneliness, and the inability to recognize danger until it is wrapped around your throat.
15. Slither (2006) December week 2
Story: “The Derelict,” William Hope Hodgson
An explorer returns from an ancient ruin carrying something that has taken root inside his body.
Complete YouTube reading
16. Swiss Army Man (2016) December week 3
Story: “The Story of the Inexperienced Ghost,” H. G. Wells
A lonely, ineffectual dead man cannot remember how to leave the living world, and an overconfident living man attempts to help him.
17. Happy Death Day (2017) December week 4
Story: “The Clock That Went Backward,” Edward Page Mitchell
A clock literally carries its characters backwards through time.
18. The Gorge (2025) January week 1
Story: “The People of the Pit,” A. Merritt
An isolated traveller discovers an abyss containing an ancient, inhuman civilization and something that calls irresistibly from below.
Complete YouTube reading
Reality Comes Apart January week 2
19. The Fourth Kind (2009)
Story: “The Hanging Stranger,” Philip K. Dick
An ordinary man notices an impossible event that everyone else accepts, then discovers that his community may no longer be human.
20. Dark City (1998) January week 3
Story: “The Street That Wasn’t There,” Clifford D. Simak and Carl Jacobi
Familiar pieces of a city begin disappearing as reality is quietly revised around its inhabitants.
Complete YouTube reading
21. Stir of Echoes (1999) January week 4
Story: “The Beckoning Fair One,” Oliver Onions
A man living alone becomes increasingly dominated by an unseen female presence whose influence may be supernatural, psychological, or both.
People's Guide to the Cthulhu Mythos 
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